Family is a lived perspective for Anastasia, not a borrowed setting. As a mother, she can bring first-hand understanding of small routines and useful details to a family brief.

Anastasia’s two dachshunds make pet and home stories a natural extension of her own life. Their presence offers a real setting for showing how a product fits into an everyday space.

This baby-bath example places the product within a family-use setting. The close frame keeps attention on the packaging and the everyday ritual it belongs to.

A close crop gives the Cosmic product the frame. It is a simple beauty-content idea: establish the object clearly, then let its colour and form do the first part of the storytelling.

In this example, Anastasia steps into the frame with the beauty product herself. Her presence brings a human point of view to the format, beyond what a standalone product shot can offer.

Colour, surface and placement give this Flamingo Estate example its character. The composition draws on Anastasia’s separate still-life and props experience; it is a portfolio example, not a claimed brand collaboration.

Anastasia is credited as wardrobe stylist for IKEA. In this night scene, her contribution is the clothing worn by the person in frame, not the overall campaign or visual effects.

Anastasia is credited as still-life stylist for Red Creative. Zebra-print boots, flowers and a colour-blocked set turn this product image into a graphic composition.

For Purdy & Figg, Anastasia is credited as still-life stylist. The citrus spray sits beside a plant and sink, giving the product a believable everyday setting.